I’ve been putting this off until I had a solid hour or two to really give you the feedback your endeavor merits. I definitely hear the Jellyfish influence. Your ambition is inspiring. I love the fact that you tackle such complicated songs and diverse genres and styles. I like Crazy Old Man. This is one of the better tracks. My Oyster: Banjo is cool. Bright in Your Ways: This is very pretty. I wouldn’t change a thing. Take Some Time: I like the plucking and bass. Janette’s harmonies are awesome and well-placed. Her singing about the “sugar-plumb fairies sticky when you dry” is awesome. Did I mention how excellent all your musicians are? A Little Extra is your hit single and that’s a given. It’s very catchy and all the little cool parts move the whole song and contribute it to it being one piece. The bass kicks (butt). A definite gem. Never Shatter You: No one could ever say that your music is not rich enough. Drifting Away: Piano is very nice. Your diverse instrumentations are really challenging and cool. The Story of Heaven: Good thing I used to listen to lots of 70’s art rock. The Fountain of Salamacis has nothing on this. This would be a great multi-media program because so much is going on – listen to that organ! The mixing on the voices is pretty cool. In the Doorway: Cool harpsichord – it’s always cool when someone other than Tori Amos uses one! Wow, I just read the lyrics. That’s intense. That’s courageous of you to write about your dad. It’s really compelling. Our Town: This is a pretty song too. Haunting like that reviewer said. I like the flute. For Janette: How could I critique the song you used to propose to your wife (even if it is one of the best songs on the album)? All your strengths are permanent: ear for hooks, rich instrumentation, complex song structuring, variety, cool voice, cool wife’s voice. I can’t wait to hear you live!