Director Sidney Cullinan to Entertainment Flair

I found it was really powerful to use splashes of the visuals to emphasize what was happening in the music. In the beginning, the visuals emphasize the more unnerving parts of the music, but eventually the visual flashes highlight the humanity in the audio portion.Contrasting black space and footage, I wanted the visual component to both confuse and comfort the audience.

Ron Rocky Coloma

There were no scores, no outlines. The soundtrack was recorded in the moment. The visuals evolved afterward, under Sidney’s eye. Sidney Cullinan approached the visual piece with a minimalist strategy: black space and flickering moments of color. The idea started as a pacing tool but became something more.The vocals from Riley came later still, adding a connective tissue of emotion.“I really wanted them involved in the project—and I really want their generation involved in all decisions moving forward,” Cullinan said.

RJ Frometa

Major kudos and accolades on your freshly-minted new avant-garde and beautifullyexperimental companion music video for Footprint! Footprint is ethereal and emotional, echoing visually theaudio…

MiS Magazine

Footprint isn’t just a piece of music; it’s a call to action. It reminds us that creativity thrives when nurtured, that mentorship shapes futures, and that art can provoke profound introspection.

Natalie Tysdal

Finding ways to keep the family occupied without fighting — well, that can be a challenge. But I found a family that’s doing just that, and at the same time, they’re helping others. Meet the Cullinans. While doing their part to stay at home, dad Cory decided to make the best of it

Chloe Robinson

This high-tech, improvised performance reflects the chaos of living in 2025. The eccentric, experimental instrumentation is deeply captivating and profound. A Stanford music graduate, Cullinan possesses a strong sophistication as a composer, and you can hear that refinement throughout this riveting work.